![]() ![]() The show consisted of three sets and an encore, featuring most of recently released Ragged Glory, as well as older fan favourites and deeper cuts. The album was recorded on Novemat The Catalyst in Santa Cruz, CA, where the band was warming up for their upcoming Ragged Glory tour. It is Volume 11.5 in the Performance Series of Neil Young Archives. Way Down in the Rust Bucket is a live album and concert film from Canadian-American rock musician Neil Young and his band Crazy Horse, released on February 26, 2021. (For that, one should seek out Doberman’s Warpath.) That said, Feedback Is Back ain’t bad.The Catalyst, Santa Cruz, California, United States Of note, however, this is not the entire show. The sound itself, while not great, is solid throughout. The inclusion of more than a few infrequently played songs – “Surfer Joe & Moe the Sleaze,” “Bite the Bullet,” “Dangerbird,” “Don’t Cry No Tears” (complete with “a Las Vegas ending,” to quote Neil), the aforementioned “T-Bone” and “Homegrown” – in a set that features eight tracks from Ragged Glory amongst a handful of standards (“Cinnamon Girl,” “Sedan Delivery,” “Roll Another Number,” “Like a Hurricane” and “Cortez the Killer”) gives a different spin to what the Smell the Horse tour may have been like if not for Saddam Hussein, George Bush and CNN: A lot looser. “T-Bone,” the guitar workout from re*ac*tor that features the “incisive” lyrics of “ain’t go no t-bone/got mashed potatoes.” Like the set in total, it’s not earth-shattering – but it is fun to hear Neil recast the lyrics time and again. What else explains the inclusion of “T-Bone”? Yeah, that’s right. ![]() Taken from a warm-up date in November ’90 at the Catalyst in Santa Cruz, it reflects and extends the mood of Ragged Glory: Loud, goofy and fun, with plenty of jammin’ just for the sake of jammin’ – and, no doubt, jammin’ in the name of the Lord, too. ![]() The music accents the climate of the times even as it goes beyond them.įeedback Is Back doesn’t do that. It works on several levels – as does “Crime in the City,” another relatively new song that just plain kicks ass. Maybe it’s me, but I hear it as ominous and threatening, sans the goofy spirit of the Ragged Glory rendition. One listen to the apocalyptic version of “Like a Hurricane” present on Weld is proof enough, but if need be crank up the version of “F+!#kin’ Up,” too. It was an intense affair with plenty of standards, true, but they were attacked in such a way that they came out new. They created a cacophony of feedback, laying down the musical equivalent of the bombs then blowing up Iraq. If you’re familiar with that album (and you should be), then you know Neil and the Horse delivered more than just a rudimentary greatest hits set. In the wake of Ragged Glory, in early 1991 Neil saddled up Crazy Horse for a tour that was eventually documented on the live double-CD Weld. Here’s my original take on Feedback on Back, which – allegedly sourced from an audience tape – excised “Cowgirl in the Sand” in order to fit the show onto two discs I’ve edited it ever-so-slightly… I trawled my long-archived original Old Grey Cat site (1997-2006) and came away with reviews of two of those bootlegs. Bootleg aficionados will know it, too, as it soon appeared in specialty shops under such titles as Don’t Spook the Horse, Feedback Is Back and Homegrown, not to mention the mammoth four-disc Warpath, which coupled it with an audience recording of the first night of the 1991 “Smell the Horse” tour. 13, 1990, show from the Catalyst in Santa Cruz, Cal., as fans were in attendance and audience recordings were made. Long-time fans who planted trees and/or were branches and leaves on the Human Highway and/or Rust List email groups should be familiar with the Nov. Although my CDs are still dancin’ across the proverbial waters, sans galleons and guns, I’ve been enjoying the archival Way Down in the Rust Bucket live set from Neil Young and Crazy Horse thanks to the high-resolution files that come with the purchase via the Greedy Hand store. ![]()
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